August 5-October 4: The loft is the most unique feature of my design and so far, the most fun to build. I ordered a 4×8 Douglas Fir beam from the lumber yard, and it arrived in pristine condition—28 feet of straight, clean, perfectly milled wood. I called in Mike & Nino, the two strong guys from Wood & Stone to set it in pockets they had framed out a few weeks earlier.
While sturdy on its own, the beam would need support to carry the weight of the loft. My design called for threaded rods, similar to what you’d find around here supporting the hay mow of a “hung barn”. Just like a farmer who wants a wide open milking parlor, I wanted a large living room free from posts. I turned to my friend Bob Rowen, a master electrician who also happens to be good at solving any sort of mechanical problem. He tinkered with wood scraps and presented me with a mock up that we then took to a local machinist to weld up from steel rods and plates. Thinking ahead, Bob built two wood boxes reinforced with steel channel and installed them between pairs of trusses. At the design stage, I had coordinated with the truss manufacturer to factor in the point load on these trusses, which came with an engineered pattern of webbing & steel plating, along with an extra-wide 2×6 bottom chord.
My worries about drilling the holes and having them come out straight were found-less—Bob devises a jig for everything he does and has a clear road map in his head for each step to be taken. The beam was hoisted up and down several times with block & tackle as we tested fit.
When the last bolt was turned tight, I masked the area with paper and tape and spray painted the steel matte black (note: the spray paint came straight from the hardware store, not vetted for low VOC or other chemical emissions). We think the rods turned out pretty handsome, with their extra-wide bottom plates and over-scaled double nuts.
Road trips to Timbergreen Farm became our pleasant distraction over the next week. Just a few miles up the road, consulting forester Jim Birkemeir runs a milling operation and solar kiln. His stash of lumber from the Driftless includes white oak, red oak, black oak, hickory, black walnut, ash, cherry, and other hardwoods but I had my heart set on pine. Humble, easy-to-work-with, aromatic pine. He had just the thing: rough planks harvested from a stately White that had stood strong in the Village for a hundred years. He agreed to mill it for me.
Our first haul included 2×8’s for ledgers and 2×6’s for floor joists. We sorted for warp, wane, and knots. We accepted some scant thickness or width and agreed that skips (saw marks) added character. Pieces that had pronounced staining or dark streaks were pronounced “uglies” and went in the mechanical room. Working with minimally processed wood takes a different mindset. You have to love the fresh smell and slight stickiness, the lack of conformity, and the limits of band saws. The payoff is rustic charm and knowing that this is about as low-carbon footprint for a building material as you can get.
People are surprised to learn that you can build with “unstamped” wood—wood that doesn’t come from a lumberyard and doesn’t carry a grade stamp. The Wisconsin Uniform Dwelling Code allows it, but downgrades it to #3 (most framing lumber is #2). My joist spans are short (under 10′), and the design load is low (“attic with storage”—not “habitable space”).
Just as we did for interior walls, we installed vapor retarder and drywall before attaching the 2×8 ledgers in place. We lag-screwed the ledgers to the inner 2×4 wall and set the 2×6 floor joists temporarily with scraps of plywood.
The original plan was to support the floor joists on a 2×2 nailer but a mock-up looked clunky. I also considered decorative joist hangers, but they looked busy. Bob had a better idea. Why not use an angle iron? He ordered it up from a local shop (raw steel for the kitchen and stainless for the bathrooms) and we spent several days laying out a pattern of holes and patiently drilling them out. I helped, then set up an ad hoc assembly line to spray paint the dozens of washers and bolts we’d need to attach the angle iron to the ledger and the joists to the angle iron.
Finally, each joist was top screwed into the ledger, blocking, or the beam via a concealed pocket hole.
Our next foray to Timbergreen was to pick up full 1” thick pine flooring, milled from the same tree. Jim had neat piles ready for us which we sorted for width and quality. As before, the best stuff went to the kitchen. Never mind the discoloration from where straps held bundles together in the kiln and unevenness from thickness differences and skips. My job was a hands & knees operation up in the loft—running the air nailer—while Bob manned the saw below.
The loft is a storage loft. By Code, it’s an “attic”. It doesn’t qualify as habitable space, because the ceiling is less than 7′ high. The advantage is that I don’t need to install a guardrail, and I don’t need a proper stair to it. In lieu of a basement, I at least have some space for junk but am still forced to downsize. The disadvantage is that it’s not really convenient, and you can’t really stand up.
The loft is also a mechanical chase way. The electrical runs are now in place along the back wall and plumbing will come next week. Tucked along the back wall, the chase isn’t visible from the living room.
The idea of the loft took shape in the design phase as I settled on a shed roof (facing south) for the PV solar panels. But even if I kept the slope as low as possible—3:12 for a metal roof is pretty much the limit—I’d still have a lot of space above the bathrooms. Frank Lloyd Wright did it, but I didn’t want a 13′-6” high ceiling in my bathroom. I like vaulted space but I also like cozy. Having a wood trellis-like or pergola-like structure overhead was appealing, and having a low entryway give way to a grand space as you turned the corner into the living room seemed like a better way to channel FLLW.
The raw and rustic nature of the loft will animate the more contemporary forms and materials I’ll use elsewhere in the house. It will bring my affinity to nature indoors, and restore my spirit especially over the long and drab Wisconsin winters. Research shows that nature-connected design makes people healthier. It improves our emotional state and reduces our blood pressure, heart rate, and stress level. It increases social interactions and creativity. But architect Frank Lloyd Wright said it better:
“Wood is the most humanly intimate of all materials, and the most kindly to man.”